Small Towns, Black
Lives: African American Communities in New Jersey
January 18-April 27,
2003
A photographic and multimedia exhibition by photographer Wendel A. White, this Noyes project presented the artist’s exploration of several historically black communities in southern New Jersey.
Inspired by traditional photographic documentary, White moves beyond the historical medium, using modern digital technology to create a new form of "image and text." The exhibition featured approximately seventy images of portraits, businesses, historic landmarks, landscapes, interiors and exteriors of architecture, and several panoramic views of communities such as Whitesboro and Lawnside.
White’s images help to rediscover some communities lost to time and forgotten elements of "community" that, while unique, transcend race, social status and geography.
Order the Small Towns,
Black Lives exhibition catalogue now!
Previous
Noyes Exhibitions
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EXHIBITIONS PLEASE CONTACT THE EXHIBITIONS MANAGER HERE OR CALL 609.652.8848 EXTENSION 13.
Through the Lens:
Works from the Permanent Collection
January 21 – April 23, 2006
Through the eyes of the Director and
the Curator of The Noyes Museum, works were selected from
the permanent collection to serve as inspiration for
designers in creating floral arrangements. To coincide
with this exhibition, nine garden clubs
will share their floral creations based on works by artists such
as Rhoda Yanow, Stan Sperlak,
Daniel Garber, W. Carl Burger,
Dale Chihuly,
David Ahlsted, and Roswell Weidner, just to name a few. Pictured
at right, Stan Sperlak "Thunder".
A Sense of Place: New Jersey October 15, 2005 – January 22, 2006
The contemporary painters who have been invited to
participate in this exhibition are inspired by New
Jersey life and landscapes. Works investigate public,
private and psychological spaces. Represented will be
New Jersey’s diverse environments, ranging from urban to
rural. Pictured at left, Dan Finaldi, "The Walk".
Different Ways of Seeing:
The Expanding World of Abstraction September 3 - January 8, 2006
This exhibition of contemporary developments in abstraction is constructed through the lens of diversity. Abstraction has been a prevailing mode of practice since World War II in America. Although painting had been repeatedly pronounced as “dead,” artists over the last four decades have proven this declaration false. Abstraction continues into the twenty-first century as being a viable form of expression.
Pictured at right James Little, "Pre-Emptive".
Dynamic Glass September 17 - December 30, 2005
This stunning exhibition highlighted recent works by contemporary glass artists who are involved with experimental and traditional techniques in glass making. Examples of cast, carved and blown glass are featured by makers associated with Wheaton Village, Millville and Urban Glass, NY.
Pictured at right Alex Bernstein, "Dune".